Dalmatian Italians

Dalmatia (the dark purple) within todays modern Croatia

Dalmatian Italians and the region of the former Yugoslavia (Western Balkans) has problems when interpreting its multicultural, multiethnic history and societies. This most certainly also applies to the former Republic of Ragusa and other regions. The statement below comes from a book called Dalmatia (History, Culture, Art Heritage) written by Antun Travirka:

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By the 14th century the city had become wholly Croatian

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The book itself is primarily for the tourist market and is easily available in several languages. This quote is on page 137 and it’s referring to the Republic of Ragusa. The old Republic of Ragusa (with it's famous city Dubrovnik) is now within the borders of the modern Croatia. This monolithic description is an outright lie and it’s a form of cultural genocide (the crucial word is wholly). Additionally the book did not even use the term Republic of Ragusa (the closest that it got to this was RESPUBLICA RAGUSINA on page 141), which was used for more than a millennium. The Republic was set up by Latin/Illyrian families and were a nation in their own right; it was also made up of many ethnic nationalities. As a Maritime nation it traded all over the Mediterranean and even had trade with the Americas. Additionally it was in competition with Venice itself.

• Statement made by the contemporary historian John Van Antwerp Fine:

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This is not surprising since the “Ragusans” identified themselves as Ragusans and not as Croats.

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Concerning the former Yugoslavia (which Croatia was part of) the Cold War era played a major role in this style (Dalmatia - History, Culture, Art Heritage) of historical documentation of the region’s history. Yugoslav Communist history is now dogma in Croatia. This to would apply to the history of Dalmatian Italians. Many of today’s Croatians live with this dogma as their reality even though the Berlin Wall fell in 1989. The Communist Party of Yugoslavia had a profound effect on the region. So much so that it’s created today’s political and cultural scene.

• Statement made by the contemporary historian Danijel Dzino:

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Medieval studies in Croatia and in most of the former Yugoslav space were firmly rooted in political history and suffered from isolationism and lack of interest in foreign scholarship. In the communist era, especially after the 1960s, Marxist ideology and national and Yugoslav political-ideological frameworks strongly impacted on the research into medieval history in Croatia

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• Statements made by the contemporary historian John Van Antwerp Fine (Professor Emeritus of History at the University of Michigan):

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Such substitutions of “Croat” for” Slav,” however, mislead the reader into believing something the sources do not tell... “ There is no justification to falsify history to support ethnic ambitions. The Croats and their Balkan neighbours have done this in a major way ”

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Note: Communist Yugoslavia executed Historian - Kerubin Segvic. He was executed mainly for proposing a different historic model than that of Yugoslav regime state policies of Croatians arriving in the Western Balkans.

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Dalmatian Italians

Dalmatian Italians are an Italian national minority in the region of Dalmatia (today part of Croatia). In the 1860s, during the Austrian rule of the Kingdom of Dalmatia, the ethnic group started to suffer from a trend of decreasing numbers and only around 1000 of the group remain.

When Austria occupied Dalmatia the Italian (Venetian speaking) population, was (according to the Italian linguist Bartoli) nearly one third of the Dalmatia in the first half of the 19th century. The 1816 Austro-Hungarian census registered 66 000 Italian speaking people among the 301 000 inhabitants of Dalmatia, or 22% of the total Dalmatian population. After World War II, the Dalmatian Italian population was reduced to 300 in Dalmatia and 500 in Montenegro.

Today they reside mostly in the littoral areas of Zadar (Zara), Split (Spalato), Trogir (Trau), and Sibenik (Sebenico) in Croatia, and Kotor (Cattaro), Perast (Perasto), and Budva (Buduain) Montenegro. In other parts of Croatia, there are 20 000 Italians in total, mostly are located in communities in the Istrian peninsula and the city of Rijeka (Fiume).

Early History

Roman Dalmatia

The Roman province of Dalmatia (pink colour) in the Western Roman Empire. 476 AD

Roman Dalmatia was fully latinized by 476 AD when the Western Roman Empire disappeared, according to scholar Theodor Mommsen in his book "The Provinces of the Roman Empire". More recent theories have suggested that this would only apply to cities and towns, whilst in the country side, this would not have been the case.

During the Barbarian invasions of the 6th and 7th century, Eurasian Avars allied with certain Slavic tribes invaded and plundered Byzantine-Roman Dalmatia. This eventually led to the settlement of different Slavic tribes in the Balkans. Modern scholarly research now puts the time of the invasion of the Slavic tribes in the region to be much later. Archaeological evidence found in the old Roman city of Salon and in particularly the artefacts found at the Old Croatian grave sites in Dalmatia (during recent excavations) seems to confirm this. The arrival of the Slavs by some has now been placed to be more in the region of the 8th century or even early 9th century.

The original Roman population endured within the coastal cities and in the inhospitable Dinaric Alps (later known as "Morlachs" or Vlachs). The Dalmatian cities retained their Romanic culture and Latin language in cities such as Zadar (Jadera/Zara), Split (Spalatum/Spalato), Dubrovnik (Ragusa) and Trogir (Trau). These areas developed their own Vulgar Latin, the Dalmatian language, a now extinct Romance language. Many coastal cities and towns or the region (politically part of the Byzantine Empire) maintained political, cultural and economic links with the Italian peninsula through the Adriatic sea. Communications with the mainland were difficult because of the Dinaric Alps. Due to the sharp orography of Dalmatia communications between the different Dalmatian cities occurred mainly through the sea. This helped Dalmatian cities to develop a unique Romance culture, despite the mostly Slavicized mainland.

Late Middle Ages

From the late Middle Ages onwards the population slowly started to merge with the Slavic peoples of Dalmatia. This process was most evident in the coastal and island regions of Dalmatia. Croatians in Dalmatia as well as other regions have language remnants of the extinct Romance Latin language - Dalmatian and additionally we have influences of old Venetian in the local dialects. The Republic of Venice controlled most of Dalmatia from 1420 to 1797. During that period, part of its Slavic population was italianised. Dalmatia is a region of Europe with a very multicultural and multiethnic history.

The Venetian possessions were called "Venetian Dalmatia" and enjoyed a flourishing period of economic bonanza with huge development of the arts and culture. Dalmatia was greatly influenced by the Italian Renaissance and many buildings, churches and cathedrals were done in those years, from Zadar and Split to Sibenik (Sebenico) and Dubrovnik. Zadar was the capital of the Venetian Dalmatia. In these centuries, the Venetian language became the "lingua franca" of all Dalmatia, assimilating the Dalmatian language of the Romanised Illyrians and influencing partially the coastal Croatian language (Chakavian).

The "Riva" of Split, that was created and named by Antonio Bajamonti. (photo by Mate Balota)

Cultural and historical Venetian presence in Dalmatia

Cultural and historical Venetian presence in Dalmatia is related to the northern Italian influences in Dalmatia. The original Roman Dalmatia is now divided between Croatia, Herzegovina and Montenegro. The cultural influence from the Republic of Venice is clearly evident in the urbanisation plans of the main Dalmatian cities. One of the best examples is the one of Split.

In 1880 Antonio Bajamonti (the last Dalmatian Italian Major of Split under Austrian rule) developed an urbanisation project of this city centred on the "Riva", a seaside walkway full of palms based on the Italian Riviera models. Even today the Riva (with cafe bars) is used by the locals to stroll in a typical Italian way from the "Palace of Diocletian" toward an old square called locally "Pjaca" (or square in Venetian).

In Dalmatia religious and public architecture flourished with clear influences of Italian Renaissance. Important to mention are the Cathedral of St James in Sibenik, Chapel of Blessed John in Trogir, and Sorgo’s villa in Dubrovnik.

Postcard showing the Venetian architecture of Perast in 1900

Perast in Coastal Montenegro

An enduring example of the Italian cultural and historic presence in Dalmatia is the small town of Perast (Perasto) in coastal Montenegro. Perast was at its peak in the 18th century under the Republic of Venice, when it had as many as four active shipyards, a fleet of around one hundred ships, and 1,643 residents. At that time the most beautiful buildings arose in this fortified town. Many ornate baroque palaces and magnificent dwelling-houses decorated the town of Perast, full of typical Venetian architecture. Perast had the privilege to keep war-flag of the Venetian Navy it was called "La fedelissma Gonfaloniera".

The sailors of Perast were involved in the last battle of the Venetian navy, fought in Venice in 1797. At the fall of the "Serenissima" (1797) Perast was the last city of the Republic to lower the Venetian flag. On 12 May 1797, the Republic of Venice ended, but a few places in the Albania Veneta for several months still continued to remain loyal to the Venetian Republic. On 22 August 1797 the Count Giuseppe Viscovich, Captain of Perast lowered the Venetian war-flag of the Lion of Saint Mark pronouncing the farewell words in front of the crying people of the city and buried the "Gonfalon of Venice" under the altar of the main church of Perast.

The population has since decreased to 430 in 1910 and around 360 today. According to the "Comunita' nazionale italiana del Montenegro", in Perast actually there are 140 persons who still speak at home the original venetian dialect of Perast (called "veneto da mar").

Musical styles

In some of the musical styles of Croatia it is quite evident of the merge of Slavic and Italian music. One such musical style is Klapa music (klapa is an a cappella form of music - Venetian: clapa "singing crowd"). Klapa singing dates back centuries. The arrival of the Croatians to Dalmatia and their subsequent settlement in the area, began the long process of the cultural mixing of Slavic culture with that of the traditions of the Roman-Latin population of Dalmatia.

This process was most evident in the coastal and island regions of Dalmatia. In the 19th century a standard form of Klapa singing emerged. The traditional Klapa was composed of up to a dozen male singers (in recent times there are female Klape groups). Church music heavily influences the arrangements of this music giving it the musical form that exists today.

Perspectives on Dalamtia

Sir John Gardner Wilkinson

Sir John Gardner Wilkinson (1797 – 1875) was an English traveller, writer and pioneer Egyptologist of the 19th century. He is often referred to as "the Father of British Egyptology". He was in Dubrovnik (then called Ragusa) in 1848, he wrote in his; Dalmatia and Montenegro: With a Journey to Mostar in Herzegovina:

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Italian is spoken in all the seaports of Dalmatia, but the language of the country is a dialect of the Slavonic, which alone is used by peasants in the interior.

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Their language though gradually falling into Venetianisms of the other Dalmatians towns, still retains some of that pure Italian idiom, for which was always noted.

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Andrew Archibald Paton

Andrew Archibald Paton (1811 - 1874) was a British diplomat and writer from the 19 century. In 1861 he wrote in his; Researches on the Danube and the Adriatic: Or, Contributions to the Modern:

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...the islands of Dalmatia owe much of their culture to the near vicinity of Venice and the more extensive use of the Italian language...

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Maude Holbach (a 1910 travel guide)

• Dalmatia-The Land Where East Meets West by Maude Holbach (a 1910 travel guide from COSIMO books and publications New York USA):

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Two hundred years later that, is, early in the tenth century you might have heard Slavish and Latin spoken had you walked in the streets of Ragusa (Dubrovnik), just as you hear Slavish and Italian today ; for as times of peace followed times of war, the Greek and Roman inhabitants of Rausium intermarried with the surrounding Slavs, and so a mixed race sprang up, a people apart from the rest of Dalmatia.

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Zadar (Zara) during and after World War II

The chapter below is taken from the Secret Dalmatia Blog site, it is written by Alan Mandic.

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The Italian majority in Zadar was first hurt by the Allied bombings and then chased away by the communist rule. In those terrible times, many people were looking for all sorts of revenges: from personal to national and many of Zadar’s Italians perished. (Note: References added by Editor) Some say that bones of many are still in one of the caves of Levrnaka in Kornati, many managed to escape and leave their beloved city for good, some stayed and formed a small Italian community. Among those who went from their homes were Ottavio Missoni (fashion designer born in Dubrovnik).

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More on Yugoslavia's once hidden history:

• Quote from the European Public Hearing on “Crimes Committed by Totalitarian Regimes":

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Mystifying the crimes of the occupiers, Titoism covered its own crimes. The taboo to hide the crimes of Titoism was meant to conceal the War-time and post-War murders of civilians and prisoners of war without trials. Their graves were levelled and in Slovenia it was forbidden to talk about their fate. Repressive organs controlled the burials sites and the living were strictly forbidden to mention the victims or the graves. The so-called system of preserving and developing revolutionary heritage was used by the Communist Party to implement a monopoly on the truth.

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See also

• Korcula History 2
• Titoism and Totalitarianism

External links

• Image of Zadar post Allied bombings (February 4th 1944)

References

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