Directory:Minks Theater Presents/Dead on Arrival

MyWikiBiz, Author Your Legacy — Monday November 25, 2024
Jump to navigationJump to search

<embed> <script src="http://www.google-analytics.com/urchin.js" type="text/javascript"> </script> <script type="text/javascript"> _uacct = "UA-38898916-1"; urchinTracker(); </script> </embed>

Dead on Arrival is a 1950 film noir directed by Rudolph Maté and is a classic of the film noir genre. The film is proudly brought to you by Minks Theater Presents... Enjoy...

<embed> <script type="text/javascript">

  var AdBrite_Title_Color = '3D81EE';
  var AdBrite_Text_Color = '000000';
  var AdBrite_Background_Color = 'E6E6E6';
  var AdBrite_Border_Color = 'FFFFFF';

</script> <script src="http://ads.adbrite.com/mb/text_group.php?sid=309983&zs=3732385f3930" type="text/javascript"></script><a target="_top" href="http://www.adbrite.com/mb/commerce/purchase_form.php?opid=309983&afsid=1"><img src="adbrite-your-ad-here-leaderboard.gif" style="background-color:#FFFFFF" alt="Your Ad Here" width="14" height="90" border="0" /></a> </embed>

<embed><embed style="width:640px; height:480px;" id="VideoPlayback" type="application/x-shockwave-flash" src="http://video.google.com/googleplayer.swf?docId=3444192259821201896&hl=en" flashvars=""> </embed>

MyWikiBiz

Minks Theater Presents/Dead on Arrival
Directed by Rudolph Maté
Produced by Harry M. Popkin
Written by Russell Rouse
Starring Beverly Garland and Edmond O'Brien
Budget $0 (USD)

The New York Times, in its May 1950 review, described it as a "fairly obvious and plodding recital, involving crime, passion, stolen iridium, gangland beatings and one man's innocent bewilderment upon being caught up in a web of circumstance that marks him for death"; O'Brien's performance was said to have had a "good deal of drive", while Britton added a "pleasant touch of blonde attractiveness".

25 years later, the same paper published a brief review of the film written by Wallace Markfield, characterizing it as one of a number of the "very best of the B's ... made on workhouse budgets under coolie conditions" with a power "derived from the central image of one chunky, sweating, absolutely desolated human and from the way it puts the spectator inside that human's skin and nerves."